From the Hill: A New Chapter in South African Deep House
- Josephine Gikaru
- 1 day ago
- 2 min read
From the Hill marks a powerful new chapter in South Africa’s deep house story, driven by the partnership of Allan Nicoll (Kid Fonque) and the genre’s long-time torchbearer, Charles Webster. Webster’s relationship with the scene stretches back to 1997, when Presence’s Better Day became a local anthem and his soulful, bass-rich remixes shaped an entire generation of producers. Even now, classics like his remix of Café de Flore ignite dance floors, proof of a legacy that continues to inspire artists such as WAPO Jije and FKA Mash, both of whom cite Webster’s work as pivotal in their creative journeys.
The idea for the album emerged at a Stay True Sounds gathering where Nicoll realised just how deeply Webster’s influence ran. Many of the artists in the room had grown up hearing his remixes on compilation CDs that dominated South Africa’s charts through the 2000s. When Nicoll proposed bringing this circle of producers, singers, and DJs together for a collaborative album, the excitement was immediate. With Nicoll curating the lineup and Webster already deeply attuned to the SA sound, the sessions unfolded with a natural chemistry that felt both historic and effortless.
The finished project reflects the spirit of a true creative fusion two generations and two worlds aligning to produce something fresh yet familiar. Vocalist Sio describes the experience as “transcendental,” while Thabo Tonick highlights the electric energy in the studio.
Perhaps the most touching moment came when China Charmeleon watched a crowd erupt to his collaboration with Webster, moved to tears by the response.
As Nicoll puts it, From the Hill is a cohesive story and a heartfelt celebration of South Africa’s thriving underground scene an album that honours its past while pushing boldly into its future.
